Journal · getting it right
Five framing mistakes a framer would talk you out of.
Nobody sets out to frame something badly. But the same five decisions walk through our door every week, usually a few years after they were made. Here they are — and the cheap fix for each.
Five mistakes we talk people out of.
1. A skinny frame on a big piece
Scale is the mistake people feel but can't name. A half-inch profile on a 30×40 reads like a rubber band around a book. The fix costs nothing: as the art grows, the frame face should grow with it. Try it yourself — put your piece in the designer and flip between a narrow and a wide profile. You'll see it in two clicks.
2. Glass over canvas
Oil and acrylic on canvas want air, not glazing — glass traps humidity against paint (a real problem in Florida) and adds glare over texture that was meant to be seen. Canvas wants a floater frame or a clean gallery wrap. Works on paper are the opposite: they should essentially never hang unglazed.
3. Trusting the mat that came with it
That brown burn line on old framed pieces isn't age — it's an acidic mat slowly eating the paper. If a piece was framed cheaply more than a decade ago and it matters to you, the kindest thing you can do is have the mat swapped for archival board. It's a modest job, and it stops the clock.
4. Hanging art where Florida can reach it
Direct afternoon sun beats any glass ever made. Conservation and museum glazing block ~99% of UV — that's a real and worthwhile shield — but placement is the other half of the answer. The wall opposite a west window is for prints you can replace, not the original you can't.
5. Reframing when a mat would have done it
Half the "this looks dated" pieces that come in don't need a new frame — they need a fresh mat, sometimes a double mat with a sliver of the right color. It's the highest-impact dollar in framing. Before you commit to a full reframe, send us a photo — we'll tell you if the cheaper fix is the better one.
Ways in
Try your piece in the designer · What framing really costs · Bring it by the bench.
Unsure? That's what the free consult is for.
A photo of the art and the wall — a framer designs it, prices it, and tells you where not to spend.
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